Combinations of graphemes in coherent sentential discourse

Nausicaä of the Valley of the Wind

Most people have heard the name of Miyazaki Hayao at this point, probably from his past two Academy Award nominations and one Academy Award for his animated films Spirited Away [Sen to Chihiro no Kamikakushi] and Howl’s Moving Castle [Haoru no Ugoku Shiro]. Some of you may also be familiar with some of Miyazaki’s earlier films such as My Neighbor Tottoro [Tonari no Tottoro], Kiki’s Delivery Service [Majo no Takkyubin], and Castle in the Sky [Tengu no Shiro Rapyuta]. Mayhap even fewer of you may be familiar with the film Nausicaä of The Valley of The Wind [Kaze no Tani no Naushika]. And–we’re really stretching here–mayhap some of you have even seen the film Nausicaä of The Valley of The Wind.

I’m willing to bet, though, that most of you are not aware that the story of Nausicaä was originally a comic book. Written and drawn by Miyazaki Hayao off and on for a period of nearly ten years, the comic version of Nausicaä starts at the same point as the film, but continues far beyond where the film ends. The film version of Nausicaä ends somewhere around the third book in the comic.

To call Nausicaä a “comic book” seems to be a bit of a slight, though. It is, in the truest sense of the term, a “graphic novel” of the highest order. Spanning over 1,126 pages, the story of Nausicaä begins as an inventive science-fiction tale and concludes as an introspection into the very essence of the meaning of life.

Without giving too much away, Nausicaä is a young woman who lives in a small community of a few hundred people. The community is sheltered in a valley and surrounded on nearly every side by a forest whose air, if inhaled, causes a rather sudden and painful death. The valley, however, is protected by the constant wind which blows in from the nearby sea. Nausicaä is the princess of this Valley of the Wind, spending her last days of relative freedom roaming the forests [with the aid of a filter mask] while her father rules from the bed to which a common disease has confined him.

Nausicaä begins inside the Valley of the Wind but quickly expands to envelop an entire world–or what’s left of it. The story begins simply enough, but the world which Miyazaki has created in Nausicaä–like many of his stories–is unique. Miyazaki’s talent is his ability to shape a world, not before you, as most storytellers are capable of, but around you. He pulls the reader into his worlds with the same ease as he pushes his characters through them. But the story does not remain simple for long [contrary to the film]. It stretches the imagination and is a perfect example of what good science fiction should be. What makes Nausicaä amazing is that, despite the incredible world Miyazaki created, he does not use the story to convey the world, as many science fiction fans-turned-authors inevitably do. Quite the opposite, Miyazaki uses his stunning vision of a world to further propel his characters through the story and into the reader.

The themes which pervade Nausicaä are much like those of most of Miyazaki’s work; ranging from family to community to nature. But in no other creation does Miyazaki get as close to what he truly wants to say as he does in Nausicaä. Embracing both the innocence and brutality of life, Miyazaki presents us with a world vastly different from our own that we cannot help but use as a filter with which to view our own in a way we never have before.

A brilliant story by a true master of the craft.

Say no to Drugs

Kitch and Drugs stood at their bullet bikes four dark blocks away from the warehouse. “The chopsticks were in the door?”

“No, just one,” said Kitch. “I’ve never seen anything like that.” He was looking back towards the warehouse.

“Damn.” Drugs, still boosting, kept putting his hand in different pockets of his jeans like he was searching for a key that did not exist. “Strange night.”

“To say the least.” Kitch was standing still and looking down at his hand. He was holding one of the shuriken that had been aimed at his head.

Four blocks away, the warehouse exploded. Drugs flinched and turned to look at the flames pouring skyward. For a moment, he was still-the flames enough to keep his attention.

Kitch dropped the shuriken into a secure pocket and sat down on his bike, flipping the ignition. The sound of the engine was enough to pull Drugs’s attention away from the blaze. His stream of movement began the moment his attention was unfocused. “Well, that took care of whatever was in the crates.” Drugs stated the obvious in a need to fill the silence.

Kitch was silent, not really wanting to talk.

Drugs was moving more than ever. “You wanna hit a club tonight?” It was as if, having focused on the fire and then broken away, his body was making up for lost time.

“No,” Kitch said to Drugs. “I think I’m gonna head home.”

“Oh, okay, man.” Drugs sat down on his bike and started it up, checking to see if his deck was secure. “Well, catch you later.”

Kitch dropped the clutch and accelerated down the dull, small street. Neither he nor Drugs looked up. Had they, they may have noticed a dark figure standing on the roof above them. As Kitch sped away on his bike, Drugs following a few seconds later, the dark figure turned and walked away from the edge of the roof. Had Kitch been watching the dark figure he would have seen the long, straight sword mounted on the figure’s back.

Had he seen this, Kitch would have been disturbed and sleep would have come slow that night, if at all. However, as he entered an elevated expressway and blasted past the cars around him, sleep was the farthest thing from Kitch’s mind. His mind was on the shuriken in his pocket and the ninja he had killed.

His mind was on the chopstick buried in the office door, which was now so much cinder.

Of ninja & chopsticks

Kitch was ready. He hadn’t bothered to stand all the way up. Instead, he was on one knee, aiming his pistol with both hands. He squeezed off the first round and watched the impossible happen.

The ninja blocked the round with his sword, which was knocked out of his hand by the force of the bullet. The ninja never stopped running. Barehanded, he charged Kitch, his eyes widening as he broke into a killing scream. Kitch fired a second round and the ninja stumbled once but continued running.

Kitch emptied the clip into the ninja.

The sounds of the ninja’s screams followed by those of the pistol, although silenced, after so much quiet hurt Kitch’s ears. When the body of the ninja fell to the concrete, Kitch blinked. He realized his mouth was hanging half open. He closed it. It fell open again.

He blocked my shot! He blocked my shot with his sword and charged a loaded gun barehanded.

you alright?

He knew he was beat and he still ran face first into a barrel. If I wouldn’t have been ready to fire, if his scream had thrown me off balance for a fraction of a second, I’d be the one lying on the floor.

kitch

He ran straight into a gun! He knew he was probably dead and he never hesitated!

KITCH!!

…What?

don't wig out on me

Sorry, I … you should’ve seen him, Drugs. I’ve never …

yeah you can tell me around the campfire
right after we sing kumbahyah
i wanna get outta here

Kitch knew Drugs would never understand the magnitude of what he had just witnessed, the sheer will. But he also knew that Drugs was right; they needed to finish and get out. He looked at the cooling body of the ninja on the floor again. Then he looked up and around the warehouse for other thermal signs of life.

He saw none. He walked toward the office in the corner, a good fifty meters away. You in the system? thought Kitch to Drugs.

you kidding?
i been in since you swan dove off the roof

The words raced across Kitch’s mind with the speed of Drugs’ typing.

Right, right. What’s it look like?

right about somewhere between jack and
squat, cowpoke

How so? Kitch neared the office.

its stone age and only used for warehouse
inventory

Kitch knew Drugs’s frame of reference when it came to electronics was a bit skewed from the norm.

Define “stone age.”

its almost 5 years old

To Drugs, this was akin to sacrilege. Kitch was at the office door.

Security measures?

nashi

Japanese for none.

The door?

HA! try it

Kitch did. It was open.

So was the throat of the man on the floor. Slit open and bled out over the cheap synthetic carpet. Kitch looked closer. There’s a dead security guard in here.

huh?!

Throat cut … by a blade.

the ninja?

Looks like it. There’s noodles on the desk and a bowl on the floor. Definitely the ninja. This guy was in the middle of lunch. Kitch only saw one chopstick. Something about this whole run seemed off to Kitch. He didn’t like it. You sure there’s nothing in the system?

yup
checked it 7 times already, coming from 3
different angles

Kitch trusted Drugs’s abilities, just not the strange feeling he was getting.

Then let’s get outta here. I’m coming out. Kitch turned to leave the office and froze. The second chopstick had been implanted into the back of the door … by force. It stuck out perpendicular to the old wood, at eye level. Kitch made another sweep of the office and then was out the window into the warehouse.

Nothing. He left, not bothering to close the door.

The problem with ninjas

The thought of letting the ninja live flashed through Kitch’s mind. He didn’t enjoy killing–far from it–and avoided it when able. But tonight was different. In addition to the mystique of ninja was the knowledge that a ninja whose duty is foiled but is left alive remains dishonored until he hunts down and kills those responsible. Which is followed immediately by his own suicide.

Kitch shook his head. Letting the ninja walk away wasn’t an option. He had no desire to watch over his shoulder the rest of his life.

Kitch broke his stride and tapped his left toe on the ground, followed by a short drag of his right sole across the cement floor. The ninja, instead of stopping, quickened his pace. Kitch backed up another row away from the ninja, this time making no noise whatsoever. He then jogged in a large circle towards the door where he had started.

The ninja was moving away from him. He had fallen for the trick. Kitch began nearing the ninja from his rear, staying behind the corners of cargo crates as he went. He advanced on the ninja through the rows of the massive warehouse. Not a sound was made by either. Kitch’s ears strained to hear anything.

Three rows behind. Two away. One. The infrared image of the ninja was stronger. He was agitated, his body coursing with adrenaline.

Kitch flattened against the corner of a large crate as the ninja did the same one row ahead. He waited a five count and checked around the corner, raising his pistol to fire.

The ninja was gone.

If Kitch could’ve seen his own body heat at that point, he’d have witnessed a bloom of rainbows as his body dumped its own load of adrenaline down his spine. He had the thought, Where …? as he darted looks sideways.

The text

where what?

flashed through his mind at the same time he looked up to see the ninja dropping from the crate above him, sword first.

Kitch dropped his body and pistoned his leg to the side and down, sending cracks spidering through the concrete floor, pushing himself into a sideways roll. The ninja landed on the balls of his feet and tucked into a quick somersault to avoid injury from the fall. He was up and running at Kitch in less than a second.

Twinkle toes

Kitch dropped down to the alley, landing soundlessly, and looked back and forth through the shadows.

Drugs had recently come up with a way for Kitch to transmit thoughts via an implanted transponder chip to his deck, where they would show up as written text. Likewise, Drugs could type a message to Kitch and send it directly to Kitch’s brain, providing them with instant, silent communication. The link was under Kitch’s complete control to activate or terminate. It was his brain, after all. He activated the link. Does it work?

The text

of course

flashed through Kitch’s mind. He exhaled a smile and shook his head. Stims or not, he liked Drugs.

how could you ever doubt me?

A thousand apologies, O omniscient techno weenie.

get in the building twinkle toes
i wanna get outta here

Kitch ran quietly to the side door of the warehouse, pulled out a magnetized dummy keycard, and swiped it through the electric key panel, causing it to short out.

Security’s pretty loose out here. Must be internal measures.

watch yer butt

Kitch slid into the warehouse.

There were no lights on in the entire building, which was really one large room, rafters overhead, and a small, brick-walled office in one corner. This was not a problem for Kitch, whose naked eyes would suffice in almost any situation. The problem raised by the darkness was the knowledge that Kitch was not alone in the warehouse.

He ran over the briefing he had received for this run. It had every indication of being against a wealthy zaibatsu, a Japanese business conglomerate. Kitch had known he might end up in a situation like this, and the absence of light confirmed it. Zaibatsu never employed those with augmentations for any position, even security. And the only people who could operate in darkness without augmentation were ninja.

Kuso.

something wrong?

No. Probably ninja around, though. Back on the rooftop, Drugs cringed. Stay alert. Kitch began walking towards the southeast corner of the building where the office stood. Scanning around the massive room, aware of every sound he made, he looked for any heat signatures that could be human. Row upon row of crates crowded the room, effectively cutting off his range of vision.

A high-pitched, almost sonic, ringing hit Kitch’s right ear. He dropped to the floor as two shuriken glazed over his head. He felt his hood shift in response to how close they passed. Why didn’t I see him?

see who? ninja?

Kitch panned the room and spotted the trace heat signature of a body behind a large storage crate. He had initially passed the faint signature off as something coming from within the crate, but that was nearly a fatal mistake. That was too close.

you ok?

No, there’s ninja in here.

#?

Only one so far. Kitch let his vision widen to include as much peripheral movement as possible while keeping his head pointed at the ninja, who had slowly and silently shifted one row to Kitch’s left. Kitch watched a portion of the heat signature detach from the side, rise into the air, and gracefully return to its original position. The ninja had drawn his sword.

Kitch felt a shiver run up his spine. It was a mixture of awe and disbelief. Kitch had never seen a ninja before tonight. Not alive, anyway. He was impressed with the grace and the mythos surrounding the dark figure before him. Regardless of the widespread use of enhancements and upgrades people were paying large sums to have performed on themselves, it was common knowledge that ninja, even a ninja, was nothing to be taken lightly.

What usually drove this point home for most was that ninja never altered their bodies in any way.

Kitch was aware of this. Just as he was aware of the small steps the ninja was taking in his direction. Kitch drew the pistol that was strapped to his thigh through a concealed pocket. There was no safety to push, no cocking mechanism. The pistol’s grip responded solely to the biometrics in Kitch’s palm. It was ready to fire the minute his fingers wrapped around it.

He moved a row to his right, in the opposite direction from the ninja. They both began walking toward one another, three rows apart. Kitch spun a slow circle once as he walked, checking for other ninja. He saw none, which did little to relieve him. He also glanced toward the office in the corner, his true objective. His mind running through short scenarios as fast as it was able, Kitch attempted to figure a way he could finish this run with minimum collateral.

Rooftops

In a run-down section of northern Taito Ward there stood a warehouse that, from all outside appearances, looked worthless. The perpetual background noise of machinery could be heard behind the buzzing of streetlamps, even in that part of Tokyo. Huge skyscrapers soared off in the distance to the west. Cold stars overheard shimmered with the heat of Japan’s summer. There was no wind and an occasional cricket could be heard fiddling its love song.

Kitch was on the roof of a building overlooking the old warehouse, kneeling down at the edge. His hood was drawn, hands gloved. Drugs knelt next to Kitch, his deck still slung in its satchel. His hands, gloveless, seemed to be in a constant state of motion. Registered as Theodore but known as Drugs to all his friends, he owed more than a little of his success to the stimulants he was always boosting to improve his interface with his deck.

Kitch glanced down at Drugs’s hands which were, for that second, cracking every joint below the wrist. He’s gonna kill himself with those stims. Kitch forced himself to the task at hand; his friend knew what Kitch thought of his habit. Drugs was a vital part of this run and Kitch needed his best. For now, he supposed that included boosting.

Drugs opened his satchel and hunkered down on the rough surface of the roof, opening his deck. Its display lit, and Drugs’s face became a stark landscape of shadowy blue craters. Kitch watched Drugs’s hands fly over the keys in liquid motion. Drugs looked up across the alley and then at Kitch.

“You see anybody?”

“No,” answered Kitch. They had been through the plan countless times in the past few days, but that didn’t stop Drugs from being a tad more fidgety than normal.

“Let’s get this over with. I wanna get outta here.” Drugs looked at Kitch for some sign of assent, but found none. Kitch scanned the alley one last time to make sure he did not see any patrols. Satisfied that the only sentries must be inside the warehouse, Kitch motioned for Drugs to stay put and swung over to the outside of the building. “You sure I gotta stay here?” Drugs was getting anxious. He rubbed his face with one hand and scratched a thigh with the other.

Kitch shot Drugs a lugubrious look and let go of the building.

The oral surgery

Kitch had never been a fan of this run-down part of town. And he really wasn’t a fan of the hissing window Drugs had installed. Told him to fix that, Kitch thought. The thirteenth floor hallway had no visible light except for the flickerings of neon playing on the floor under the pneumatic window. Kitch walked down the hall towards the entrance of Drugs’s little kingdom. Despite the dark, Kitch had no problem finding the correct door due to the thermal signature emanating from the crack at the bottom.

Kitch knew this was Drugs’s domain and he should let him run it however he wanted. He knew no matter what he said, Drugs would only change something if he felt so inclined, and was not otherwise preoccupied … which was extremely rare, if not impossible.

Kitch reached for the door, aware that he was being scanned by multiple security measures that most corporations would envy. He touched the door directly to the right of the antique handle and it swung open. Kitch knew telling Drugs about the window (again) was pointless. Drugs would not listen. He knew it was ludicrous to even attempt.

“I told you to the window’s too loud,” Kitch called from the doorway.

“Screw you and the horse you rode in on!” came the reply. Kitch grinned within his hood.

“Where’re you hiding?” asked Kitch as he began walking into the room.

“Back here, in Surgery,” yelled Drugs.

Drugs’s living arrangements, which could only be called a home in the loosest sense of the word, filled what used to be the offices of an oral surgeon. Drugs, who was oddly proud of his find for living arrangements, loved to mock the suicidal thinking that must have caused anyone to open an oral surgery in Akihabara. Kitch had always thought Drugs chose Akihabara to set up shop as a subtle homage to his roots. Drugs was not Japanese, but was utterly obsessed with all things electronic. And had been his entire twenty years of life.

Likewise, Drugs’s shop reflected its resident to perfection. As soon as Kitch walked past the entrance and into what used to be Reception, he was confronted with all the machines and sensor apparatus which had digitally frisked him in the hallway. Clearing Reception and heading down the hall towards the Surgery, Kitch was forced to duck and dodge protruding electronics at almost every step.

The Surgery was the heart of Drugs’s spread. In keeping with his own neurotic logic, Drugs used the Surgery for performing the same on his plethora of devices.

Kitch straightened up as he entered the Surgery after ducking the mass of power cords stretching through the doorframe. Drugs was bent over a workbench, looking through a thick magnifying glass, and using the smallest soldering iron Kitch had ever seen. Drugs’s deck was open and spread out before him.

Kitch watched Drugs, not wanting to look at the white heat of the solder. In the thick, white-rimmed magnifying glass, Drugs resembled more a deep sea monstrosity than a man. Kitch grinned within his hood again. He stood in the doorway and waited for Drugs to speak.

Drugs lifted his foot from the solder release, cutting the flame. “Well if it ain’t ol’ long, tall, and ugly.” Drugs was currently on a western kick in his cinema patronage and had been using the lingo whenever he got the chance, or could force it into a conversation. Kitch still found it amusing and had not tired of it. Yet.

“You ready?” Kitch asked.

“Just a sec,” said Drugs. When he was not on a computer with a clock, time had no meaning for Drugs.

Which is why Kitch was early.

Drugs was bent over the workbench once again, and the white light from the solder cast harsh shadows around the room. Kitch began glancing around but looked back at Drugs when he began to speak.

“Upgrading the deck,” offered Drugs. “Be able to enter ‘works from almost twice as far.” Kitch knew Drugs was referring to the range of his deck—his portable computer—and its ability to pirate into wireless networks. “Should work from half a click out,” he said through mostly clenched teeth, his attention focused on the deck.

Kitch thought of the implications of such a distance. Drugs could conceivably sit in a bar or noodle shop and pirate a network from three blocks away. It made Kitch glad he was not a religious deck user, or a corporate media liaison. After a minute of silence where the only noise was the soldering iron and the only smell was the faint odor of burning synthetics, Drugs lifted his foot, turned off the soldering iron, and unplugged it. He had never been one for taking chances. He picked up an electric fan from the workbench and pointed it at the deck. When he was satisfied it was cooled, he set down the fan and reassembled his deck.

Kitch had watched this all in silence.

“Alright, lemme test it and then I’m ready,” said Drugs. Kitch made no reply; he wanted to know it worked as much as Drugs did. Needed it to work. Drugs inserted a cord into the deck which led to a system diagnostic tower. Kitch didn’t know enough about computers to understand the technical readouts and data Drugs was sorting through. Instead, he watched Drugs’s hands. Kitch knew they had no enhancements or upgrades of any kind, and the speed at which his friend’s fingers moved was mesmerizing. Still young and having been raised with computers, Drugs could manipulate his deck faster than the small display screen could keep up. He was always three steps ahead of where it seemed he was at. When Drugs pulled his hands away and unplugged the diagnostic cord, the display was still shuffling through readouts.

Drugs stood up and snapped the deck shut. Kitch saw that the screen was still flashing through data as he did so. He’s already boosting, thought Kitch. That explained why the display had still been moving, then.

“Saddle up, pardner,” said Drugs. He dropped his deck into its Kevlar satchel and swung it over his shoulder, tightening the strap so it hung snug against his side. He put a thin, black leather coat on over top, concealing the deck. “Ready when you are.”

“I’m already saddled,” said Kitch, keeping a straight face. “I’ve been saddled since I got here.”

“Yeah, yeah,” said Drugs, waving his hand back and forth in front of his forehead in a Japanese gesture for “whatever, forget about it.” Drugs started walking down the hall towards Reception. Kitch, dressed entirely in muted black, took an automatic inventory of Drugs’s clothing. Black hair. Black, non-reflective leather jacket. Black designer suit pants with subtle pinstripes that probably cost more than the jacket. Black on black Chuck Taylor’s.

“Drugs,” Kitch said.

Drugs stopped walking and turned around. “Yeah?”

“Your socks.” Drugs looked down as he picked his right foot up halfway to his knee.

His socks were bright orange.

Kuso,” Drugs swore in Japanese. He walked into the Examination Room that served as his bedroom to change. Kitch found it amusing that, no matter what current trend he was on, Drugs always maintained a subconscious Halloween color theme to his wardrobe, despite Kitch’s warnings otherwise.

“Okay, Kemosabe, now let’s go,” Drugs said with a slightly embarrassed hostility. Kitch, knowing the annoyance Drugs could be if he felt he had been one-upped, let it slide and held out his hand towards the entrance.

“After you.” Kitch was glad his hood was still up because he couldn’t help smiling as Drugs walked to the door in front of him.

The magwind

The last maglev train of the night slid through the once-thriving section of Tokyo called Akihabara as it accelerated northward. At one time the center of all electronics in Japan, the declining area–which had been known as “Electric Town” in its heyday–still displayed neon signs in virtually every direction. Some of the signs still lit up, occasionally if not randomly, supplied by power coming from no one really knew where. A scrolling marquee for a ramen shop sputtered in and out of existence, sporadically promising the best noodles around. Halfway up the side of a skyscraper, a digital billboard for a defunct hostess bar was illuminating only the impossible breasts of a cartoon girl that looked about fourteen, as if the urge which created them had outlasted all others into the recesses of the night.

A few long seconds after the last car of the train had passed, the inevitable gust of wind which accompanied it followed, gusting down the near-empty streets, picking up cigarette butts and blowing plastic liquor bottles to points unknown. The few people still awake and on the streets unconsciously held down loose articles until the short but violent blow passed. The visible homeless did not so much as stir, all belongings safely secured as part of daily routine.

As the baritone echoes of the magwind wound down and faded from perception, the remaining silence seemed to amplify the buzzing of dying neon and the distant thrum of life in parts more alive than here.

In the magnified lull, a lone, dark figure turned a corner and walked down a side street. Those sleeping or otherwise inebriated in storefronts and doorways barely noticed. The walker had a hood pulled up and, despite wearing non-reflective boots that looked military, hardly made a sound. Passing a boarded up and police-taped arcade, the tall figure cut into an alley. Scanning the alley with two quick snaps of the hood, the silhouette took one running step and leapt three meters up, grabbing hold of the bottom rung of a fire escape ladder, and began climbing hand over hand. Not a sound had been made. If one were to look close, the ladder was nowhere near as dilapidated as it surroundings.

After a rapid climb to a height of thirteen stories, the figure touched the wall on the left side of an emergency window, which proceeded to swing inwards with a pneumatic hiss, the first true sound of the figure’s passing. A minute tensing of the shoulder blades expressed the figure’s distaste. This, however, did not stop the dark form from ducking through the large window and entering the thirteenth floor.

The automatic window/entry hissed closed behind.

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